![]() His mission in creating and maintaining the museum formally called the Institute of Illegal Images, he says, is to “preserve a ‘skeletal’ remnant of San Francisco’s drug-induced 1960s legacy, ‘so maybe our children can better understand us.’” “In the same moralistic manner many San Franciscans pontificate on the health benefits of marijuana,” writes Gregory Thomas at Mission Local, “McCloud and his friends tout the merits of acid.” Next to curing “anxiety, depression and ‘marital problems,’” it is also an important source of folk art, says McCloud, the owner and sole proprietor of the informally-named “LSD Museum” housed in his three-story Victorian home in San Francisco. None of this comes as news to San Francisco fixture Mark McCloud. “Scientists are rediscovering what many see as the substances’ astonishing therapeutic potential.” Psilocybin, MDMA, and LSD “have been steadily making their way back into the lab,” notes Scientific American. “Once dismissed as the dangerous dalliances of the counterculture,” writes Nature, psychedelic drugs are “gaining mainstream acceptance” in clinical treatment. But it has since returned with newfound respectability. ![]() government, repressing what the government had itself helped bring into being. ![]() Whatever uses it might have had in psychiatric settings - and there were many known at the time - LSD was made illegal in 1968 by the U.S. Not long afterward, Grateful Dead soundman Owsley “Bear” Stanley synthesized “the purest form of LSD ever to hit the street,” writes Rolling Stone, and became the country’s biggest supplier, the “king of acid.” Kesey administered the drug in “Acid Tests” to find out who could handle it (and who couldn’t) after he stole the substance from Army doctors, who themselves administered it as part of the CIA’s MKUltra experiments. The USA side exhibition will take place on Saturday February 5th at Proper Print Shop in El Paso, Texas (1120 E.When Ken Kesey and his Merry Pranksters kicked off Haight-Ashbury’s counterculture in the 1960s, LSD was the key ingredient in their potent mix of drugs, the Hell’s Angels, the Beat poets, and their local band The Warlocks (soon to become The Grateful Dead). The blotters exhibitions were planned well before Paul’s passing, but it now seems that they will be a great hommage to his legacy, and a great contribution to the blotter art world. His very distinctive style, and prolific creations processus has made his blotters instant hits every time Monkey released them. Ziero rose to fame in the blotter art world the last couple years after his collaboration with the late and greatly missed Paul Guest AKA Monkey. It would seem that Zane Kezey from KeyZ productions, Graylon Martin from Fantoma’s Blotterbin and Kosapan from have already sent samples of their work … Several other artists have also said they would do so. Several blotter and poster artists from all over the world are now rushing to send their contributions. The renowned Mexican artist Ziero Muko from Juarez, Chihuahua Is organizing two blotter art exhibitions on both sides of the US / Mexico border. ![]()
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